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2024 marks the 100th anniversary of Loro Piana, a Maison founded on innovation, elegance, and the finest natural fibres. Combining technical expertise with the highest-quality materials, Loro Piana pieces are defined by a rich textural feel and excellent performance. This passion for quality and discrete style has resulted in timeless and discerning icons, made as elegant as they are practical.
The theme of the 2024 Knit Design Award, ‘Fast Forward Heritage,' aims to explore how Loro Piana’s heritage will translate in the next 100 years, guided by technical expertise, savoir-faire, and tradition.
Create a future icon – the piece that each participating school present must be designed up to the standard of a Loro Piana icon with rich tactile quality and functionality. It should also be timeless and relevant to future generations.
Alexander Fury is an award-winning fashion journalist, author, critic and curator. He is Fashion Features Director of AnOther magazine, and Men's Critic of the Financial Times newspaper. Based in London, he has written 10 books on fashion, and has curated a number of exhibitions internationally.
Creative director of the Sozzani Foundation. She collaborates with many educational institutions and serves on several boards working and creating awareness for a more responsible planet. She is part of the advisory board of the Circular Fashion Summit, in support of the United Nations 2030 Sustainable Development Goals.
To date, she is a Creative advisor for CNCC (Conde Nast Commercial Creative) dealing with the conception and proposition of multi-platform projects for the Condé Nast Italia brands. She founded Vogue Talents with Franca Sozzani in 2009. Vogue Talents has been a worldwide project and network supporting independent creative talent.
In collaboration with Altaroma, she has curated since 2005 the Who is on Next? competition in support of Made in Italy. She regularly attends as a judge and consultant in several fashion competitions, including LVMH Prize, the Woolmark Prize, Fashion Trust Arabia, International Talent Support (ITS), and many others. Since September 2018, she has been the International Brand Ambassador of Camera Nazionale della Moda Italiana in support of the new generation of designers. She is also part of Camera Fashion Trust founded in 2018 in support of made in Italy designers. In 2019 she launched A New Awareness a project that aims to create more awareness and consciousness in the younger generation.
In May 2021 she received the Positive Change Award from Monte Carlo Fashion Week.
In 2023 she is one of the executive producers of the documentary Junk Armadi Pieni a docu-series of six episodes that sheds a new light on the contemporary impact of the textile industry, through the stories and images of the people and ecosystems which are most affected. Host and co-author is Matteo Ward, entrepreneur and activist, who curated the scientific research of the series, written and directed by Olmo Parenti and Matteo Keffer.
Gilles Denis is editor-in-chief of Le Point, France’s leading newsmagazine. Previously he has been editor-in-chief of Les Echos Week End, Les Echos Série limitée and started his career in journalism at Le Figaro Magazine, after his degrees in history and political sciences.
Anders Christian Madsen is a fashion critic and creative consultant. With an expertise in narratives, branding and identity, his clients count the leading fashion houses and beauty brands of the industry. He served as Fashion Critic for British Vogue from 2017 to 2024 under the editorship of Edward Enninful with whom he continues to work. Madsen, who began his career as Fashion Features Director at i-D Magazine, contributes to key international fashion titles and has authored a number of books. Raised in Denmark, he is based in London.
Beka Gvishiani, 33, was born and is based in Tbilisi, Georgia. He studied Business Administration and later received a Master’s Degree in Communications. Being obsessed with fashion (especially with fashion magazines), Gvishiani started his career in the georgian fashion industry as a general manager of the brand “Anouki” at the age of 22. In May 2022, he art-directed his first ever Vogue cover in collaboration with Vogue CS and Vogue Ukraine. In 2019, Beka founded the creative agency “Arial Bold” to help local and international fashion brands to develop their contents, shootings, runway shows and e-commerce. In April 2021, he became a member of Forbes “30 under 30” in Georgia. Later in September 2021, Beka created the Instagram blog “Style Not Com” – inspired by the iconic style.com
Anna dello Russo, CREATIVE CONSULTANT, FASHION STYLIST, FORMER FASHION EDITOR FOR VOGUE JAPAN, influencer and VIP. She is an influent fashion journalist, on and off the net, indeed one of the first ones to know how to use it to the point of branding herself.
An eclectic character who lives multiple lives.
Helmut Newton thought of her as a "fashion maniac”.
Anna worked in Condè Nast Italia Group for 18 years, starting as a Fashion Editor for Vogue Italia, and then becoming editor of L’Uomo Vogue from 2000 to 2006. She is now in fashion consultancy for different fashion brands and work with social media playing with her multiple looks.
Well known for her fashion style and taste she is the perfect fashion advocate of excesses.
Originally from Paris, Pauline Dujancourt studied fashion and textile design at École Duperré before moving to London and graduating from Central Saint Martins’ MA Fashion. Passionate with creating her own materials, she taught herself how to hand knit and eventually, specialised in knitwear. Prior to launching her own brand in 2022, Pauline worked for designers in London and New York, including Simone Rocha, Phoebe English, Molly Goddard, and Alexander Wang. As of today, Pauline continues her freelance work with Rejina Pyo, overseeing the knitwear category.
Based in London, my brand aims to redefine womenswear through intricate textile processes like crochet and hand knitting, embodying my contemporary approach to knitwear. Striving for singular and sensual silhouettes, I blend knit elements and woven strips into my own fabrics, infusing movement into the drapes and lightness into the clothes. Moving away from vintage aesthetics, the collections explore the deconstruction and disheveling of knitted pieces in contrast with delicate metallic crochet trims, perceived as “jewellery knits”. In both fashion and life, I enjoy the poetry in contrasts and opposites, seeking for the tension created when beauty is confronted by raw and disturbing elements. Inspired by ancestral ways of domestic making, the collections pay tribute to everyday women knitting for their loved ones. Collaborating with skilled female artisans around the world, my aim is to empower them, nurturing independence that, to me, symbolises freedom. Through both wearing and making my collections, the main intention behind my work is for women to feel their presence and importance in the world.